As I move through the landscape, I sometimes sense a presence emerging at the edges of my awareness—something significant, something that compels me to remain open and engaged, as if inviting interaction.

Through the camera’s lens, the landscape transforms into something fluid and alive, no longer a passive backdrop but an active presence. At times, it feels as though it is watching me, shifting the relationship between observer and observed. In this interplay, a sense of reversibility emerges—I am not just looking, but also being seen. The act of framing a scene becomes a dialogue, where the boundaries between perceiver and perceived begin to dissolve.

On this shifting ground, the landscape remains elusive. Sometimes it feels near, pressing in, demanding attention. At other times, it recedes into stillness, slipping beyond reach.